66” x 48” Oil on Canvas. IRONman of the year.
First, one of the most observant men in the world thought John was flirting with him. Now, the most observant woman in the world thinks John is in love with Sherlock, just like she is, in defiance of sexual orientation. Look at us both. Neither of us are interested in men, yet we both want this one.
The evidence is stacking up against you, John.
I like to think of this moment as a turning point, because he doesn’t deny it again after this. I mean, they’re still not a couple the way people think they are. But they might as well be, at this point. They’re a couple for all intents and purposes. No one means more to John than Sherlock does. They share a flat, they sometimes share a room, they’re joined at the hip, and John loves Sherlock. And Sherlock loves John.
Irene is the one who must be jealous. John is the one Sherlock’s chosen. John is the one Sherlock talks to, even if he isn’t there. Sherlock always gets the last word, John says; their conversation never ends, but Irene can’t get one started. Sherlock sends John texts beckoning him, sends him texts when he goes for a walk on the moor, follows him wherever he goes. Irene’s texts go unanswered. John’s the one Sherlock has dinner with, in the end, even when he’s not hungry.
Irene turns out to be far more morally ambiguous than Sherlock is, heavily leaning toward the evil side even as she isn’t strictly evil herself. She’s willing to play with Moriarty if it serves her interests, in spite of the fact that he’s vicious and doesn’t care who will get hurt along the way. Innocent victims are his bread and butter. Irene doesn’t seem to mind that. Sherlock doesn’t mind either, per se, but he strives to prevent innocent victimhood all the same, not to participate in it. Irene chooses to participate in chaos while Sherlock always chooses to turn chaos back into order. Devil on the side of the angels? Perhaps. Irene is most definitely not on the side of the angels.
Knowing that Sherlock loves John, and that John loves Sherlock, she makes an extremely agressive play for Sherlock anyway. She knows what she’s disrupting. She knows she’s making john jealous and uncomfortable. She takes what she wants, that one. Or she tries to. She’s not even shy about it, not in the least.
Man, I love Irene.
Look at us both. Yes, indeed. She’s right: it’s a useful comparison. Sherlock isn’t interested in getting into bed with moral ambiguity, literally or figuratively. He’s got John, his north star of moral principle. Irene kisses Sherlock on the same spot John punches him: both of those actions are performed with love. And Sherlock, being Sherlock, chooses the straightforward punch over the complicated kiss.
continuity from my previous “just for fun”: Cumber!Smaug
I had ridiculous free time today, and these were born…
and to be honest, i dont wanna call this SmaugLockD:
i just want a Pure evil Smaug the dragon with Cumberbatch Human form, no sherlock personality in here, so shall we call him CumberSmaug, instead?
one more thing: got many notes asking me to paint him with Bilbo, but since i already saw tons of them, let’s just have a Young Thorin, ok?
coz i do what i want!!!XD
But I'll be close behind.I'll follow you into the dark.
5 times John followed Sherlock and the one time, he walked away.
plot twist: leonardo di caprio and benedict cumberbatch are nominated at the same category and both win
Stick a Number & a Fandom in my Ask & I will make a 6-10 cap picspam from Screencaps That Get My Photoshop Senses Tingling*.
- Faceless (caps where the subjects face is not visible)
- Looking Down (caps where the subject is looking down)
- Bruised & Battered (gore & damage: caps where the subject is banged up)
- Up Close & Personal (screencaps where the subject is in close up)
- Scenerygasm (the subject of these caps is the dominant scenery)
- Full Body Shot(s) (caps where the subjects full body is in the shot)
- Colours Abound (caps with great colouring even before editing)
- Silhouettes (the subject should be in silhouette)
- My Emotions (caps where the subject is displaying strong emotion)
- the Space (the focus of these caps is interesting use of space [often negative])
- Light! (caps with great base lighting, even before editing)
- Tickles My Pickle (whatever tickles my pickle. though this is also innuendo and you’ll probably get a picspam of sex/shirtless screencaps)*these are the things that get my bits tingling, feel free to edit, amend & add to [@]
The scene in which Peter Parker catches Mary Jane’s lunch on the tray involved no CGI. With the help of a sticky substance to keep the tray planted on his hand, Tobey Maguire eventually (after many takes) performed the stunt exactly as seen.